26/04/2020

Tales of Old

My husband and a guildie have spent the last week going on about this event that's going on right now called "Tales of Old" and yesterday I finally gave in and agreed to take part. Apparently it centres on a selection of old dungeons that were previously removed and are selectively being returned for this event in a sort of challenge mode.


The framing for the event is that your party is working with a bard called Nipsy to spin an epic tale of how you supposedly once conquered a particular old dungeon, and you re-tell/re-run it several times to embellish your exploits. The first time you just do/did it without using any consumables, the second your artifacts didn't work either, the third time around you were hurting yourselves with every at-will power you cast, the fourth time all the enemies were doing poison damage on top of their normal abilities, and the final time you also had most/all(?) of your stats halved and are shrunk in size.

There are limitations both in the form of a timer (though it's not too tight and can be extended) and a death counter, which work together quite nicely to keep you going at a decent pace but without getting careless, as running out of "lives" ends the adventure just as prematurely as letting the timer run out.

We only did the first three difficulties in our run of Lair of the Mad Dragon as it was coming up to the event's reset time and my husband found out first hand that being in the instance when it resets leads to nothing but a very bad time. These were all fairly chill, though I'm told that the difficulty ramps up considerably at stages four and five.

As someone who's generally not super keen on Neverwinter's dungeons I was pleasantly surprised by how much fun this was, though I can imagine the required repetition becoming quite tedious in the long run. Still, now I want to try some of the other dungeons in the rotation before the event ends in a few days.

1 comment:

  1. With a name like Nipsy all I can think of is the late comic Nipsey Russell.

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